Click any of the links below to access faculty biographies.
Tobias Werner has been Music Director of the Chamber Music Conference since 2015. He was the cellist in residence and co-artistic director at Garth Newel Music Center from 1999 until 2012. He is the artistic director of Pressenda Chamber Players, teaches at Georgetown University, and is an Arts for the Aging teaching artist. He has performed at the Cape and Islands Chamber Music Festival, Villa Musica Mainz, the San Diego Chamber Music Workshop, the Vail Valley Bravo! Colorado Music Festival, the Maui Classical Music Festival, Carnegie Hall’s Weill Recital Hall, Strathmore Hall, the Phillips Collection, the Library of Congress, the National Gallery of Art, the Smithsonian American Art Museum, the New York Society for Ethical Culture, and Bargemusic.
Tobias has appeared as soloist with orchestras in the US, France, Germany, and Romania, and recent performances have included the concertos of Dvořák, Elgar, Haydn, and Boccherini. He has recorded on the ECM, Darbringhaus & Grimm, Bayer Records, and Orfeo labels. Recent CD releases include Piano Quartets by Mozart, Brahms, Dvořák, and Martinů with the Garth Newel Piano Quartet, the Suites for Unaccompanied Cello by J.S. Bach, and the Sonatas for Piano and Cello by Beethoven with Victor Asuncion.
Tobias studied at the Musikhochschule Freiburg in Germany and at Boston University. His teachers have included Andrés Díaz, Christoph Henkel, and Xavier Gagnepain. He plays on an 1844 J.F. Pressenda cello.
Los Angeles-based composer and conductor Donald Crockett has received commissions from a wide spectrum of organizations including the Los Angeles Chamber Orchestra (Composer-in-Residence, 1991–97), Kronos Quartet, Los Angeles Philharmonic, Hilliard Ensemble, Pittsburgh New Music Ensemble, Xtet, the San Francisco-based chamber chorus, Volti, the California EAR Unit, the Guitar Foundation of America, and the University of Southern California for its 125th anniversary, among many others.
Recent projects include an all-Crockett orchestral disc released in May, 2015 by Boston Modern Orchestra Project on BMOP/sound, commissions from the Harvard Musical Association for violist Kate Vincent and Firebird Ensemble, the Claremont Trio, 21st Century Consort, a chamber opera, The Face, based on a novella in verse by poet David St. John, and a consortium commission from twenty-two college and university wind ensembles for his Dance Concerto for Clarinet/Bass Clarinet and Wind Ensemble.
The recipient in 2013 of an Arts and Letters Award in Music from the American Academy of Arts and Letters for outstanding artistic achievement, as well as a Guggenheim Fellowship in 2006, Donald Crockett has also received grants and prizes from the Barlow Endowment, Bogliasco Foundation, Copland Fund, Copland House, Kennedy Center Friedheim Awards, Meet the Composer, the National Endowment for the Arts, New Music USA and many others. His music is published by Keiser Classical and Doberman/Yppan and recorded on the Albany, BMOP Sound, CRI, Doberman/Yppan, ECM, Innova, Laurel, New World, Orion and Pro Arte/Fanfare labels.
A frequent guest conductor with new music ensembles nationally, Donald Crockett has been very active over the years as a composer and conductor with the venerable and famed Monday Evening Concerts in Los Angeles. As conductor of the USC Thornton Symphony's annual New Music for Orchestra series, Donald Crockett has premiered over 125 new orchestral works by outstanding Thornton student composers. His recordings as a conductor can be found on the Albany, CRI, Doberman/Yppan, ECM and New World labels.
Deeply committed to education, Donald Crockett is Professor and Chair of the Composition Program, Director of Thornton Edge new music ensemble and Assistant Dean for Faculty Affairs at the USC Thornton School of Music, as well as Senior Composer-in-Residence with the Chamber Music Conference.
Lina Bahn is a violinist who has a keen interest in collaborative and innovative repertoire, and has been called
lyrical by the Washington Post. Her most recent publication of Mean Fiddle Summer on the Naxos Label was hailed by the ClevelandClassical.com,
From start to finish, the violinist demonstrates her adroit technical facility, kaleidoscope of colors, and consummate musical taste. Intrigued by the relationship between art and social context, Bahn is one of four founding members of MoVE (Modern Violin Ensemble). MoVE is an innovative quartet of four violinists, committed to commissioning music and starting a canon of repertoire for this relatively unknown instrumentation. Along with MoVE, she has collaborated with cellist Matt Haimovitz to produce a program dedicated to ocean/water awareness: Voices of the Ocean, which premiered at the National Gallery of Art in 2017.
She was a member of the award-winning Corigliano Quartet, with performances at Carnegie Hall, Alice Tully Hall, the Library of Congress and Ravinia, and which earned the ASCAP/CMA Award for Adventurous Programming. In 2007, their Naxos Records recording of quartets by John Corigliano and Jefferson Friedman was selected by The New Yorkermagazine as one of the year’s
Best 10 Recordings. They have been broadcast on NPR’s Performance Today, All Things Considered, and Backstage Pass, Chicago’s WFMT’s Live From Studio One, and can be heard on the Albany, CRI, Naxos, and Bayer Labels.
As a guest with the Takacs String Quartet, she has performed at the Concertgebouw, Strathmore Hall, Carnegie Hall, and Queen Elizabeth Hall, among others. Lina is a dedicated educator who has taught master classes throughout the world. From 2008-2014, she served on faculty at the University of Colorado-Boulder, and she currently teaches at and chairs the Strings Department at the Thornton School of Music at USC in Los Angeles.
Judith Eissenberg’s musical roots begin in the ever-broadening repertoire of the string quartet. She is a founder/second violin ( 1980-2022) of the Lydian String Quartet, recognized for its depth of interpretation, performing with
a precision and involvement marking them as among the world's best quartets (Chicago Sun-Times). The LSQ received top prizes at the Evian (1982), Banff (1983), and Portsmouth (1985) International String Quartet Competitions, winning the Naumburg Chamber Music Award in 1984. With over 30 recordings (Nonesuch, CRI, Harmonia Mundi, New World Records, Musica Omnia, etc.) and multiple commissions, premieres and dedications, the Quartet is recognized for its fresh and incisive approach:
[the Lydian] revealed a fire that makes all timeless music forever contemporary (Washington Post). Eissenberg performs in the US and abroad (Europe, Taiwan, Australia), including in major concert venues (Weill Recital Hall, Allice Tully Hall, Library of Congress, etc.), and has enjoyed residencies at colleges, universities and conservatories. Other chamber music affiliations include Boston Chamber Music Society, Emmanuel Music, and various summer festivals throughout the US. With experience in period instrument performance, she has been soloist with and core member of Boston Baroque and Handel and Haydn Society.
Eissenberg collaborates with musicians in jazz, Korean Gugak, Indian classical, Chinese classical, and enjoys cross-disciplinary work in film, theater, dance, electronics/digital, video, etc. She has received multiple grants and awards, including from Copland Foundation, Chamber Music America, Meet the Composer, National Endowment for the Humanities, and Readers’ Digest. She is Professor Emeritus at Brandeis University (1980-2022), and Professor at Boston Conservatory at Berklee.
Mayuki Fukuhara began his musical studies at age seven, and, by age twelve, he had won the International Music Festival Grand Prix. He came to the United States as a scholarship student at the Curtis Institute of Music, and later did post-graduate work at Mannes College of Music, studying under Ivan Galamian, Jaime Laredo, and Felix Galimir.
He performs with several of the New York metropolitan area's most prestigious chamber orchestras (Orpheus, Orchestra of St. Luke's, where he is a principal player, and others) and is a participating artist in such festivals as Marlboro, Caramoor, and the New England Bach Festival.
Mr. Fukuhara spends his summers performing with the Saito Kinen Festival of Japan under the direction of Seiji Ozawa. His recordings are available on the Musical Heritage Society, Music Masters, and other labels.
Praised for her
nuanced Mozartian phrasing and her
delicacy and, when needed, force (Boston Musical Intelligencer), Amy Galluzzo enjoys an active career as both a chamber musician and soloist. For many years, Amy was a member of the Carpe Diem String Quartet, touring around the United States and internationally, performing a wide range of repertoire. Amy has performed at several prestigious summer festivals, including the Tanglewood Music Festival, Chelsea Music Festival, Taos, and Sarasota Music Festival, and has collaborated with artists such as Masuko Ushioda, Carol Rodland, James Buswell and members of the Boston Symphony Orchestra. More unusual collaborations include Yihan Chen, pipa, Scott McConnell, steel pan, and Dariush Saghafi, santoor.
Recent highlights include Amy's 2017 Carnegie Hall debut with Carpe Diem String Quartet and the release of four recordings with the quartet: The Art of Calligraphy (Albany Records), featuring the music of one of NPR's 10 Favorites, Iranian-born Reza Vali, Volumes 4 and 5 of the complete String Quartets of Sergei Taneyev (Naxos Records), and Music for Mandolin and String Quartet by Jeff Midkiff. Current recording projects include the complete string quartets of D.C.-based composer Jonathan Leshnoff and the latest quartets by Reza Vali. Amy has performed many world premieres by composers such as David Stock, Reza Vali, Derrick Jordan, Jeff Nytch, Jeff Midkiff and Jonathan Leshnoff.
A finalist in the Naftzger Competition and the New England Conservatory Concerto Competition, and recipient of the Jules C. Reiner Prize for violin, Amy has been heard in recital and concert across Europe and America and has served as concertmaster under the batons of conductors such as Kurt Masur, Raphael Frühbeck de Burgos, and Christoph von Dohnányi.
Amy Galluzzo began her violin studies in Great Britain and went on to study with Dona Lee Croft, a professor at the Royal College of Music, London. Amy received her Bachelor of Music and Master of Music with Honors and a Graduate Diploma from the New England Conservatory in Boston, where she studied with Marylou Speaker Churchill and James Buswell. She has studied with members of the Borromeo, Brentano, Shanghai, American and Concord Quartets.
Amy maintains a private violin studio in Boston, and teaches through the New England Conservatory Preparatory School and Continuing Education department. She has given masterclasses and workshops at Florida State University, Palm Beach University, University of Washington, Carnegie Mellon University, Eastern Arizona College and numerous music programs for students of all ages and has taught at the Chamber Music Conference since 2015.
Shem Guibbory has achieved recognition as an award-winning violin soloist, as a chamber musician, and as a music director and artistic producer.
His recording Voice of the People – comprising two works of Gabriela Frank and the Shostakovich Violin Sonata – was released worldwide in June 2010 and has received great reviews. This CD is the first element of a series exploring linked relationships among multiple arts. The series also includes mini-documentary films and theatrical works.
Currently he is a member of the Metropolitan Opera Orchestra. From 1997 to 2006 he was Music Director of the Chamber Music Conference, winning two ASCAP/CMA Awards for Adventurous Programming (2001, 2002) in conjunction with Senior Composers-in-Residence Chen Yi and Donald Crockett. Mr. Guibbory was codirector of Special Projects for the Cal Arts Alumni Association (2006-2010), and serves on the Board of Directors of the Recording Musicians Association, NY Chapter (2011-present).
He is a coauthor of a groundbreaking music and theater work in collaboration with director Margaret Booker and writer Robert Schenkkan entitled A Night at the Alhambra Café, with its world premiere planned to take place at The Krannert Center, University of Illinois at Urbana/Champaign.
His recordings can be found on the ECM, Gramavision, Opus 1, DG, Bridge, CRI, New World, ALBANY and MSRCD labels. He is a featured artist in
The Classical Hour at Steinway Hall, a joint production of NHK TV (Japan) and D'Alessio Media (USA). He has received a Rockefeller Foundation Fellowship (Bellagio) in 2002, a fellowship at the Virginia Center for the Creative Arts (2003), and a fellowship at the Centre por Ars y Natura (Spain, 2004).
As a soloist, his interpretations of 20th Century music have received international acclaim. He was the original violinist in Steve Reich and Musicians, and his recording of Reich's
Violin Phase (ECM) is now a classic of American avant-garde music. With Anthony Davis he recorded four albums, as well as
Maps, a violin concerto cocommissioned with the Kansas City Symphony (Gramavision). Mr. Guibbory has had close associations with other composers such as Ornette Coleman, Muhal Richard Abrams, Jeffrey Levine, Earl Howard, and Gerry Hemingway. He has premiered over 60 compositions with more than 30 works written expressly for him.
He has appeared as soloist with the N.Y. Philharmonic, the Beethoven Halle Orchestra (Bonn), the Kansas City Symphony, and the Symphony of the New World. He has served as concertmaster with the San Francisco Ballet Orchestra and many NYC freelance orchestras, and has performed recitals and chamber music throughout the United States, Canada, and Europe.
From 1981-1985 he was codirector (with choreographer Joan Lombardi) of NovEnsemble, a company dedicated to performance of live music and dance. Mr. Guibbory has also collaborated with the Belgian choreographer Anne-Theresa de Keersmaker.
A graduate of the California Institute of the Arts, Mr. Guibbory studied violin with Broadus Erle, Romuald Tecco, Evelyn Read and Sophie Feuermann.
Sheila Reinhold gave her first performance as soloist with orchestra at the age of nine in the Kaufmann Concert Hall of New York's 92nd Street Y. At fourteen, she was invited by Jascha Heifetz to join his master class at the University of Southern California, where she studied with him for five years. She received her B.Mus. from USC and studied theory and analysis with Leon Kirchner and Earl Kim at Harvard University.
Ms. Reinhold's engagements have included solo appearances with conductors such as Zubin Mehta and André Kostelanetz, chamber music with Heifetz and Gregor Piatigorsky, and performances both as soloist and as chamber musician at festivals such as Chautauqua, Ives, and Mohawk Trail. She has premiered solo and chamber works for both violin and viola, worked on major films and Broadway productions, and appeared with popular artists such as Tony Bennett.
Ms. Reinhold can be heard as a chamber musician on the North/South and Albany labels, and is featured on a newly released CD of the music of Victoria Bond. Her teaching positions have included Resident Musician at Harvard and head of the string faculty at the Children's Orchestra Society, and she has been a member of the Chamber Music Conference faculty since 2000.
Ms. Reinhold is the founder and music director of Intimate Voices, which has been presenting chamber music concerts and community outreach events in New York since 2009.
Violinist Andrea Schultz enjoys an active and versatile musical life as a solo, chamber, and orchestral musician. She currently performs and tours with a wide array of groups, including the Orchestra of St. Luke's, the New York Chamber Ensemble, and Musica Sacra. A devotee of contemporary music, Schultz is also a member of the contemporary chamber ensemble Sequitur and has been involved in the premieres of more than a hundred works with groups that include Either/Or, Cygnus, the Da Capo Chamber Players, Locrian Chamber Players, Eberli Ensemble, the New York Composers Circle, the League of Composers, the Cabrini Quartet, and others. She has recorded contemporary chamber music for the Naxos, Albany, New World, and Phoenix labels. She was a member of the Mark Morris Dance Group Music Ensemble for many years, touring the US, Britain, Japan, and Australia; and has performed as guest with the Cassatt String Quartet, Perspectives Ensemble, Avery Ensemble, Apple Hill Chamber Players, Orpheus Chamber Orchestra, and Mostly Mozart.
Schultz spends summers performing and teaching at the Kinhaven Music School, the Wintergreen Music Festival and Academy, and the Chamber Music Conference. She and her husband, cellist Michael Finckel, also curate a summer chamber-music series in a historic carriage barn in North Bennington, VT. A graduate of Yale University, the Cleveland Institute of Music, and SUNY Stony Brook, Schultz studied violin with Betty-Jean Hagen, Sydney Harth, Paul Kantor, Donald Weilerstein, and Joyce Robbins. She plays on a violin made in 1997 by Stefan-Peter Greiner.
RACHEL KITAGAWA SHAPIRO
Rachel Kitagawa Shapiro, born in Reading, PA, first discovered the violin at age four. She has since performed in such venues as Carnegie Hall's Weill Recital Hall, London's Wigmore Hall, and across the United States, Canada, Mexico, the United Kingdom, Germany, Norway, the Czech Republic, the United Arab Emirates, China, and Korea.
Founding member and second violinist of the critically acclaimed Aeolus Quartet, her playing has been praised by Mark Satola of the Cleveland Plain Dealer,
in a beautifully balanced interlude wherein the second violin dances attendant to a heartfelt melody... Rachel Shapiro [was] outstanding here. Collaborations include a performance on the Metropolitan Opera stage alongside Renée Fleming, as well as appearances with Michael Tree, Jon Kimura Parker, the Juilliard Quartet, and the Miró Quartet. In demand as an ensemble player, Ms. Shapiro was invited to appear with members of the Philadelphia Orchestra on a subscription concert for the Philadelphia Orchestra's Chamber Collection series at the Kimmel Center. In the 2017-2018 season, Ms. Shapiro appears with the Mark Morris Dance Group Music Ensemble and A Far Cry.
Ms. Shapiro was appointed Professorial Lecturer at the George Washington University in 2013. She has served on faculty at Stanford University's
Why Music Matters Educational Program for Gifted Youth, the University of Maryland's High School Music Academy, the Austin Chamber Music Center Workshop, and Point CounterPoint Chamber Music Camp. As teaching assistant at the Juilliard School, the University of Maryland, and the University of Texas, she coached undergraduate and graduate student ensembles and taught private lessons.
Ms. Shapiro holds an Artist Diploma from the Juilliard School, having earned her Master of Music from the University of Texas at Austin and her Bachelor of Music from the Cleveland Institute of Music. She attained a Doctor of Musical Arts degree at the University of Maryland in 2016. Having minored in English Literature, Ms. Shapiro is an avid writer and was recently published in Strings magazine.
Hailed by the Washington Post for
virtuosity and penetrating intelligence, James Stern has performed with the Smithsonian Chamber Players, recording for Dorian/Sono Luminus; the 21st Century Consort, recording for Bridge Records; and VERGE Ensemble, touring internationally. He has appeared as violinist, violist, and/or conductor at the Smithsonian Museums, the Corcoran Gallery, the National Gallery, the Phillips Collection, the White House, and the Library of Congress. His recording of the complete Sonatas and Partitas by Bach is available on Albany Records, and he has presented the cycle in live performance from coast to coast. Festival appearances include Marlboro, Siletz Bay, Colorado MahlerFest, and Garth Newel. In addition, he has both performed and taught at the National Orchestral Institute, Master Players Festival, Intermuse, California Summer Music, the Chamber Music Conference and Composers' Forum of the East, and the Schlern and Orfeo festivals in northern Italy. Other recital and chamber music engagements have taken him to Paris, Munich, Stavanger (Norway), and throughout China. A former faculty member at the Cleveland Institute, he has taught at the Brian Lewis Young Artist Program, the Starling/Delay Symposium at Juilliard, and is currently professor at the University of Maryland.
Violinist Charles Wetherbee has performed throughout the world, including Europe, Asia, the Middle East, Canada, Mexico, and the United States. He has appeared at the Aspen Music Festival, the Garth Newell Center, the Hidden Valley Festival (CA), the Roycroft Chamber Festival (NY), the Nouvelle Academie International d'Été (Nice, France), the Olympic Music Festival (WA), the MidAmerica Music Festival (OH), and Strings in the Mountains (CO). He has performed in the French, German, Austrian, and Dutch embassies, the Terrace Theater of the Kennedy Center, the National Gallery, the Corcoran Gallery, the Freer Gallery, Strathmore Hall, Jordan Hall, and many other important venues.
A native of Buffalo, New York, Charles gave his first performances at age six. He made his debut with the Buffalo Philharmonic Orchestra under Semyon Bychkov and since then has performed with the National Symphony under Mstislav Rostropovich, as well as the Japan Philharmonic, the Concerto Soloists of Philadelphia, the Philharmonic Orchestra of Bogotá (Columbia), the National Repertory Orchestra, the Orquesta Nacional de Mexico, the Symphony Orchestra of the Curtis Institute, the Buffalo Philharmonic, and the Virginia Symphony, among others.
A devoted chamber musician, Charles is the first violinist of the Carpe Diem String Quartet, with whom he tours and performs regularly. He is also the Artistic Director of the Dercum Center for Arts and Humanities, Keystone, Colorado.
Charles is an assistant professor of violin at the University of Colorado Boulder College of Music.
Masako Yanagita, winner of top honors in international competitions, has concertized around the world. At present, she is the concertmaster of Springfield Symphony in Massachusetts as well as Queens Symphony in New York. She is also active as a chamber musician, a teacher and coach. As a chamber music coach, she is a faculty member at the Chamber Music Conference (at Colgate University), Greenwood Music Camp and Princeton Play Week.
Masako began her violin studies in Japan at an early age and came to the United States to study with William Kroll at Mannes College of Music. She has recorded many chamber music and solo works including the entire Schubert repertoire for violin/viola and piano with her late husband, pianist Abba Bogin. She resides in both New York City and Charlemont, MA.
For more than two decades, omnivorous violist Nicholas Cords has been on the front line of a growing constellation of projects as performer, educator, and cultural advocate. As former Co-Artistic Director of Silkroad, viola and chamber music faculty member at New England Conservatory, violist of Brooklyn Rider, he is deeply committed to music from a broad variety of traditions and epochs, with a particular passion for the cross-section between the long tradition of classical music and the wide range of music of today.
Nicholas serves currently as violist of the Silkroad Ensemble, a musical collective founded by Yo-Yo Ma in 2000 with the simple belief that radical cross-cultural collaboration leads to a more hopeful world. This mission is poignantly explored by the recent Oscar-nominated documentary by Morgan Neville, The Music Of Strangers, which profiles the individual stories of Ensemble members and makes a case for why culture matters in today’s world. Having served from 2017-2020 as a Co-Artistic Director for Silkroad, Nicholas previously served as Silkroad’s Programming Chair, taking an active role presenting the Ensemble on the world’s major musical stages, in museum residencies such as at the American Museum of Natural History and the Freer-Sackler Galleries, and also in educational contexts such as Silkroad’s long-standing residency at Harvard University. He has also been involved in bringing to life more than a hundred compositions and arrangements over the group’s relatively short history. Nicholas appears on all of the Silkroad Ensemble’s albums including Sing Me Home (Sony Music), which received a 2017 Grammy Award for Best World Music Album. Other albums include Silk Road Journeys, Beyond the Horizon, New Impossibilities, Off the Map, and A Playlist a Without Borders. Most recently, the group is prominently featured in the soundtrack for Ken Burns’ searing ten-part documentary on the Vietnam War, with an accompanying release available on In A Circle Records.
Another key aspect of Nicholas’ busy musical life is as founding member of Brooklyn Rider, an intrepid group which NPR credits with "recreating the 300-year-old form of the string quartet as a vital and creative 21st-century ensemble.” In a short amount of time, Brooklyn Rider's singular mission and gripping performance style have resulted in an indelible contribution to the world of the string quartet and has brought in legions of fans across the spectrum. Highly committed to collaborative ventures, the group has worked with Irish fiddler Martin Hayes, jazz saxophonist Joshua Redman, ballerina Wendy Whelan, Persian kemancheh virtuoso Kayhan Kalhor, Swedish mezzo-soprano Anne Sofie von Otter, Mexican singer Magos Herrera, and banjoist Béla Fleck, to name a few. Brooklyn Rider regularly commissions and champions new works, including those by Tyondai Braxton, Gabriel Kahane, John Luther Adams, Caroline Shaw, Evan Ziporyn, plus many more. Notable appearances in recent seasons include those at Lincoln Center's White Light Festival, Opernhouse Zürich, A Prairie Home Companion, and the South By Southwest Festival. Their remarkably diverse array recordings including Silent City, Passport, Dominant Curve, Brooklyn Rider Plays Philip Glass, Philip Glass Quartets Six and Seven, Annunciation (Philip Glass Piano Quintet, Quartet Satz and Quartet #8), Seven Steps, A Walking Fire, The Brooklyn Rider Almanac, The Fiction Issue, Spontaneous Symbols, So Many Things, Dreamers, and Healing Modes have received wide critical acclaim from sources ranging from the New Yorker to Gramophone Magazine to Pitchfork.
As a soloist, he has appeared with the Philadelphia Orchestra, the Chicago Symphony, the Minnesota Orchestra, and the Bridgeport Symphony. Recent other highlights include performances at the White Nights Festival in St. Petersburg in works ranging from Feldman to Wuorinen (many heard in Russia for the first time) and the Vail International Dance Festival, where he participated in a revival of a long dormant Balanchine choreography set to Stravinsky's Élegie for solo viola with the great Brazilian ballerina Carla Körbes. His highly acclaimed 2013 debut solo album, Recursions, features works ranging from Biber to Hindemith to Cords' own Five Migrations. His 2020 recording Touch Harmonious (In a Circle Records), recorded during the COVID-19 pandemic, is a reflection on the arc of tradition spanning form the baroque to today, featuring multiple premieres. He has appeared frequently over the years on television and radio including a Chinese National Television broadcast from the Great Wall, the David Letterman Show, numerous National Public Radio broadcasts, Good Morning America, NHK Japan, and a four year run as resident commentator and performer on WQXR New York’s Radio weekly On A-I-R. In addition, he has worked with many ensembles, including the Knights, the Caramoor Virtuousi, the Smithsonian Chamber Players, An Die Musik, and the Metropolitan Museum Artists in Concert.
Beginning his musical education at the Juilliard School, Nicholas won top honors in the viola competition and subsequently gave the New York premiere of John Harbison’s Viola Concerto at Avery Fisher Hall. He completed his studies at Philadelphia’s Curtis Institute of Music. His teachers and mentors have included Karen Tuttle, Harvey Shapiro, Joseph Fuchs, and Felix Galamir. A committed teacher, Nicholas currentlyserves on the viola and chamber music faculty of New England Conservatory. Mr. Cords plays on an instrument made for him in 2019 by famed French luthier Patrick Robin. He performs on bows from a wide variety of the world’s top modern makers including Charles Espey and Benoit Rolland.
Korine Fujiwara is a founding member of Carpe Diem String Quartet. Critics have described her performances as
with finesse and perfection. Festivals include: Olympic Music Festival, Marble Cliff Chamber Players, Snake River Chamber Players, MidAmerica Chamber Music Festival, Victoria International Festival, Aspen Music Festival, Focus! Festival of 20th Century Music at Lincoln Center, and Summergarden Festival at the Museum of Modern Art in New York City. Orchestras include: Brooklyn Philharmonic, ProMusica Chamber Orchestra, and the Columbus Symphony, where she held the position of acting assistant principal second violin.
Named as one of Strings magazine's
25 Contemporary Composers to Watch, critics say of her music:
The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time ... Contains a very rare attribute in contemporary classical music: happiness. (Fanfare)
She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very democratic, with solos for everyone; her solo violin writing is fiendishly difficult. (Strings)
A violinist and violist, Fujiwara holds degrees from Juilliard and Northwestern University, studied with Joseph Fuchs, Myron Kartman, Harvey Shapiro, Robert Mann, and Joel Krosnik, was a longtime faculty member of Ohio Wesleyan University, and is in great demand for master classes and clinics.
Korine performs on a 1790 Contreras violin, a 2004 viola by Kurt Widenhouse, and bows by three of today'’s finest makers, Paul Martin Siefried, Ole Kanestrom and Charles Espey, all of Port Townsend, WA, USA.
A dedicated chamber musician and current member of the Manhattan String Quartet, violist Marka Gustavsson enjoys a rich and varied performance life both in the US and abroad. She has been a guest artist at festivals including Bard Music Festival, Mostly Mozart, Vancouver’s Music in the Morning, the Lincoln Center Chamber Music Society, WQXR’s Showcase Concerts, Yale Faculty Artists’ Series. Marka has premiered and recorded solo works and chamber music of composers John Halle, Joan Tower, Kyle Gann, Harold Farberman, George Tsontakis, Martin Bresnick, Richard Wernick, Laura Kaminsky, Tania Leon, and Tan Dun. From 1999 through 2014, Marka belonged to the Colorado Quartet with whom she performed cycles of Beethoven, Bartok and Schubert. As a teacher, Marka holds a faculty position at Bard College and Conservatory, and serves as Associate Director and Coordinator of Chamber Music. In the summer, she coaches chamber music for the Young Artists’ Program of Yellow Barn in Putney, VT. At home in Red Hook, NY, she loves gardening, cooking, reading, and hiking with her husband, pianist and composer John Halle, son Ben, and Russell—the dog.
David Rose has served as a titled player of numerous orchestras, including Associate Principal of the Vancouver Symphony, Principal Viola of the Kitchener-Waterloo Symphony, and Acting Assistant Principal of the San Francisco Symphony.
Also active as a baroque performer, he was a member of the Pacific Baroque orchestra, and has toured and recorded with Toronto's Tafelmusik.
Mr. Rose studied viola at the University of British Columbia, and Indiana University (Bloomington). His main teachers included Gerald Stanick, Atar Arad and Stanley Ritchie.
He serves as associate professor of Viola and head of strings at the State University of New York (Fredonia), and teaches in the summer at the Rocky Ridge Young Artists Seminar in the Colorado Rockies, as well as the Fredonia Summer String Festival.
Most recently, David gave masterclasses at the Jerusalem Academy of Music and Dance and the Eastman School of Music. He has been presenting performances of all six Bach Cello Suites, having recorded them in 2020, and most recently performed all six for the American Viola Society Festival.
Violist Kate Vincent is originally from Perth, Western Australia. Her solo playing was recently described as having
vivid color and palpable verve (Fanfare Magazine). Currently a resident of Los Angeles, in 2010 Ms. Vincent moved to the West Coast from Boston where she continues to maintain a presence as Artistic Director/Violist of the Firebird Ensemble, in addition to performing with the Boston Modern Orchestra Project. Ms. Vincent has served as Principal Violist with numerous East Coast ensembles including Opera Boston (2003-2011), Emmanuel Music, Opera Aperta, and Opera Unlimited.
As a chamber musician Ms. Vincent has appeared with the Apple Hill Chamber Players, Alea 3, Chameleon Ensemble, Callithumpian Consort, Dinosaur Annex, the Fromm Foundation players at Harvard, Quartet X, Winsor Music, the Aurea Ensemble and on Emmanuel Music's Chamber Series. In Los Angeles she performs regularly with the Los Angeles Opera and has been a guest artist with the Eclipse Quartet, on the Dilijan Chamber Music Series, with the Los Angeles Chamber Orchestra, and on the Monday Evening Concert Series.
Over the past two decades, Ms. Vincent has toured extensively throughout Australia, Canada, Germany, Holland, Russia and the United States, and between 1999-2003 she was also violist of the Arden String Quartet. In the summers Ms. Vincent is a faculty member at the Chamber Music Conference and is a regular guest artist at the Apple Hill Center for Chamber Music. She has premiered chamber and solo works by Luciano Berio, Lisa Bielawa, Donald Crockett, John Harbison, Lee Hyla, John McDonald, Joseph Maneri, Eric Moe, Eric Guinivan, and Nicholas Vines, and she has recorded for labels such as New World Records, BMOP sound, Tzadik, Oxingale, and Steeplechase.
Between 2006-2012, Ms. Vincent was a member of the faculty at Longy School of Music as co-director of the new music ensemble Longitude. She holds two Masters Degrees from New England Conservatory of Music (Viola Performance and Music Education), where she studied with James Dunham of the Cleveland String Quartet.
Lisa Whitfield is an active orchestral and chamber musician in the Cleveland area, after having spent nearly 20 years performing in the NYC metropolitan area. She is a classically trained violist who has also performed as a vocalist and improvising violist. She especially enjoys performing new works for the viola, either alone or with piano or percussion; in 2003 she premiered Siddhartha's Dreams, written for her by composer Louis Fujinami Conti, and also performed composer Keith Fitch's Todestanzen. Ms. Whitfield has appeared with such varied artists as Ray Charles, Shirley Horn, David Murray of the World Saxophone Quartet, the Indigo Girls, and Sir Elton John. In 2005, Ms. Whitfield performed with the Merce Cunningham Dance Company in the Lincoln Center production of Ocean, a Merce Cunningham/John Cage collaboration. She performed in the orchestras of the Radio City Christmas Spectacular and Broadway productions of Tommy, Big, Frogs, and Victor/Victoria; additionally she has performed with the Orchestra of St. Luke's, Philharmonic Orchestra of NJ, Connecticut Grand Opera, and the Greenwich Symphony. In Northeast Ohio, Ms. Whitfield has performed with the Akron Symphony and in the touring production of Broadway's Porgy and Bess in Cleveland's historic Playhouse Square.
Ms. Whitfield was on the solfege faculty of the Juilliard Pre-College, Juilliard's MAP Program, and was a teaching fellow in the college division at Juilliard for 3 years. She is on the faculty of the Chamber Music Conference Chamber Music Conference (at Colgate University, formerly at Bennington College), where she has served as a faculty representative to the board of directors. She was privileged to sit on the music panel of the NY State Council on the Arts and she taught at the Third Street Music School Settlement for fourteen years.
In her spare time, Ms. Whitfield is the mother of two incredibly talented musicians: a daughter who plays violin and sings, and a son who plays drums, keyboards, and tuba. She holds degrees from Oberlin Conservatory and The Juilliard School and counts among her teachers Karen Tuttle, Jeffrey Irvine, and Lynne Ramsey.
Michael Finckel has enjoyed a wide-ranging career as cellist, composer, teacher, and conductor. A founding member of the Trio of the Americas and the Cabrini Quartet, he has performed as soloist and chamber musician throughout the United States and Europe. He also performs regularly with members of his family in the renowned Finckel Cello Quartet.
Finckel's passion for contemporary music has involved him in performances with many of New York's leading new-music groups including Steve Reich and Musicians, Speculum Musicae, Ensemble Sospeso, Columbia Symphonietta, Group for Contemporary Music, SEM Ensemble, and the American Composers Orchestra, as well as performances with members of the New York Philharmonic under the directions of Pierre Boulez and Leonard Bernstein. From 1984 to 1995 he held the Gheris Chair as principal cellist of the Bethlehem Bach Choir Orchestra and earlier served as principal cellist of the Vermont State Symphony, touring the state with Dvorak's Cello Concerto and on several occasions conducting his own concerto for cello and orchestra with his brother, Chris Finckel, as soloist. He has also been a past member of the North Carolina and Puerto Rico Symphonies, the National Ballet Orchestra, and the Brooklyn Philharmonic. Finckel has recorded for the Dorian, Opus One, New World, Albany, CRI, Vanguard, Vox/Candide, and ECM/Warner Bros. labels.
Since 1992, Finckel has been Music Director of the Sage City Symphony in Bennington, Vermont. Along with its annual commissioning program, he has fostered a unique pilot program for young composers, annually premiering orchestral works by area High School and College students.
Finckel performs and coaches each summer at the Kinhaven Adult Chamber Music Workshop in Weston, Vermont, the Composers Conference and Chamber Music Center in Wellesley, Massachusetts, the Chamber Music Conference (at Colgate University, formerly at Bennington College), and at the Wintergreen Festival in Virginia. He and his wife, violinist Andrea Schultz, co-direct the Park-McCullough House Carriage Barn Summer Concert Series in North Bennington, Vermont. Having taught at Cornell and Princeton Universities, Bennington College, and The Vermont Governor's Institute on the Arts, Finckel is currently on the faculties of the Mannes School and the Hoff-Barthelson Music School in Scarsdale, New York.
Cellist Maxine Neuman's solo and chamber music career spans North America, South America, Europe, and Japan. A grant recipient from the Rockefeller and Ford Foundations and the National Endowment for the Arts, and a two-time Grammy Award winner, her biography appears in Who's Who in the World. She is a founding member of the Claremont Duo, the Crescent String Quartet, the Vermont Cello Quartet, Breve, and the Walden Trio, groups with which she has traveled and recorded extensively. Her long list of recording credits includes Deutsche Grammophon, Columbia, Angel, EMI, Nonesuch, Biddulph, CRI, Orion, Leonarda, Argo, Opus One, SONY/Virgin, AMC, Vanguard, Musical Heritage, Albany, Northeastern, and CBS World Records.
Ms. Neuman has appeared as soloist before a sold-out audience in New York's Town Hall in the American premiere of Giovanni Battista Viotti's only cello concerto, and for Austrophon, she recorded the Schumann Cello Concerto in Count Esterhazy's historic palace in Austria.
She can also be heard in such diverse settings as the Montreux Jazz Festival, the films of Jim Jarmusch, and with the rock band Metallica. She has expanded the repertoire for multiple celli, and cello and guitar, by arranging and transcribing works from every period. A longtime champion of contemporary music, she has commissioned and premiered works by many of today's leading composers.
Distinguished as a teacher as well as performer, Ms. Neuman has served as a judge for numerous international competitions. On the faculty at New York's School for Strings and Hoff-Barthelson Music School, she has taught at Bennington College, Williams College, and C.W. Post University. Her cello is a J.B. Guadagnini, dating from 1772.
Cellist and Artist-in-Residence at the College of the Holy Cross Jan Müller-Szeraws has an active career as a soloist, chamber musician and teacher. Solo performances have included engagements with the New England Philharmonic, Concord Orchestra, Boston Landmarks Orchestra, Richmond Symphony Orchestra, Moscow Symphony Orchestra, Orquesta Sinfónica de Concepción, Orquesta de la Universidad de Santiago de Chile and Orquesta Sinfónica de Chile with repertoire ranging from concertos from the traditional repertoire such as Haydn, Dvorak, Schumann, Tchaikovsky, Bloch, Shostakovich to contemporary composers Chou Wen Chung, Gunther Schuller, Shirish Korda, Bernard Hoffer and John Harbison.
Projects have included the release of "Anusvara", a disc with music by Shirish Korde for cello, tabla and carnatic soprano, the premiere and recording of "Suite for Solo Cello" by Thomas Oboe Lee as well as a disc with sonatas by Brahms and Chopin with pianist Adam Golka for Hammond Performing Arts. Most recently he has been pairing the Bach Cello Suites with works by Shirish Korde in his project
Bach & Ragas.
He is a member of contemporary music ensemble Boston Musica Viva and Boston/Andover based ensemble Mistral. Also on the faculty at Phillips Academy Andover, he is a frequent guest artist at many festivals and is founder and Artistic Director of the Chamber Music Institute at Holy Cross, an intensive summer program for talented high-school and college students.
Müller-Szeraws studied at the Musikhochschule Freiburg and holds degrees from Boston University. He plays a cello by David Tecchler, on loan from the Saul and Naomi Cohen Foundation.
A versatile artist, cellist Carol Ou is known for her
fiery, marvelous and
meltingly melodic outpourings (Boston Globe) and her
wonderfully pure cello tone and incisive technique (The Strad Magazine). As a soloist and a former member of the Carpe Diem String Quartet, Ms. Ou's exuberant performances have taken her to prestigious concert venues across the globe including Carnegie Weill Hall, Jordan Hall, National Gallery of Art, Gardner Museum, National Concert Hall in Kiev, and the National Concert Hall of Taipei.
At ease with the diverse musical styles of the last five centuries, Ms. Ou's creative programming is often a mélange of traditional European masterworks with more eclectic ones. She has recorded three of the most beloved cello concerti by Haydn, Tchaikovsky, and Elgar and premiered several new compositions written for her. She gave the first performance of Hsiao Tyzen's Cello Concerto in Taipei and collaborated with Hsiao on the premiere of a number of solo and chamber music works throughout the US and Singapore. American composers Richard Toensing and Daniel Pinkham have also dedicated works to her. Recent new music performances have featured collaborations with crossover artists on the banjo, accordion, didgeridoo, erhu, pipa, and the Persian santoor.
Carol Ou's discography includes solo and chamber music discs issued by Chi-Mei, Naxos, CRI, and Albany Records. Her three solo and concerti recordings are all produced by the Chi-Mei Label in Taiwan. Among her many recordings with the Carpe Diem String Quartet are Volumes 4 and 5 of Sergei Taneyev's String Quartets on Naxos and The Book of Calligraphy—the solo cello and string quartet works by Reza Vali—released by Albany Records. Her recording of Walter Piston's Chamber Music won the 2001 Chamber Music America's Best Chamber Music CD award.
A graduate of Yale University, Ms. Ou received her BA magna cum laude from Yale College and her MM, MMA, and DMA in music performance from the Yale School of Music. A much sought after teacher, Ms. Ou serves on the artist cello faculty of New York University's Steinhardt School of Music and teaches preparatory cello students as well as college chamber music students at New England Conservatory of Music. Since 2015, as the assistant chair of the string department at the conservatory's School of Continuing Education, she also cultivates a music-loving adult community. In addition to her regular teaching duties, Ms. Ou travels internationally to teach cello and chamber music master classes, most recently in Hong Kong, Turkey, and Italy.
Born in Germany, cellist Lutz Rath is heard regularly with the Orchestra of St. Luke's and performs in solo and chamber music recitals. Over the years he has been a regular performer in the Washington Square Music Festival, of which he is currently music director. Since 1986 he has participated in the Chamber Music Conference.
Mr. Rath has been a member of the Munich Philharmonic Orchestra and for 10 years was the cellist of the International String Quartet, which won Grand Prix in the International Chamber Music Competition, Evian, France. While with the Quartet, he toured Europe, Asia, South America, and the US regularly, and recorded internationally.
From 1996 to 2000 Rath was the cellist of the Elysium Quartet and toured the USA and Greece, recording with Lukas Foss and Stanley Drucker on the Elysium label.
See biography above.
Double Bass Faculty
JESSICA POWELL EIG
Praised for her
natural expressiveness (Montpelier Times Argus), Jessica Powell Eig has crafted a dynamic and varied career performing on double bass, violone, and viola da gamba. In recent seasons she has appeared with Washington Bach Consort, New Orchestra of Washington, American Bach Soloists, Washington Concert Opera, Cathedral Choral Society, REBEL, ARTEK, North Carolina Baroque Orchestra, and Seraphic Fire, among many others. In 2018 she joined the faculty of the Chamber Music Conference and Composers’ Forum of the East.
In addition to her work as a performer, Jessica is active as a teaching artist and clinician. In 2019 she served as a clinician for the Young Bassists program at the International Society of Bassists convention in Bloomington, IN. In 2018 she was a guest lecturer in Double Bass Pedagogy at the University of Maryland. From 2013 to 2016 she was the director of the Viola da Gamba Society of America Young Players Workshop and her writing on classroom outreach has appeared in Early Music America. She maintains an active private studio and has received grants to support her music education projects from Early Music America, the Viola da Gamba Society of America, and the Lower Manhattan Cultural Council.
In 2010, Jessica completed a Doctor of Musical Arts degree in double bass performance at SUNY-Stony Brook, as a student of Joseph Carver and Kurt Muroki, where her research focused on the music of Sofia Gubaidulina. She received her earlier training at CCM, Eastman and Juilliard. Following the completion of her DMA she pursued further private study in historical bass with Rob Nairn. She studied viola da gamba with Christel Thielmann, James Lambert, and Martha McGaughey.
As a committed advocate for the arts, Jessica shared her expertise as a grant-writer and fundraising consultant with many established as well as emerging arts organizations. From 2013 to 2015 she served on the Executive Committee of the Viola da Gamba Society of America as Membership Secretary, and she currently serves on the board of the Viola da Gamba Society of Greater Washington-Baltimore. Jessica is a member of the American Federation of Musicians (Local 161-710), International Society of Bassists (ISB), and Early Music America.
Lewis Paer graduated from the Manhattan School of Music 1975. His studies included associations with David Walter, Robert Brennand, Orin O'Brien, Robert Gladstone and Jon Deak. He attended the Aspen Music Festival, playing under Sergiu Comissiona, and participated in the New School's Christmas String Seminar with Alexander and Sasha Schneider in 1978-9.
Lewis was a guest of the Detroit Symphony under Antal Dorati in 1982 and served as the Assistant Principal Bass of the Phoenix Symphony under Theo Alcantara from 1985-1988. He was Principal of the Long Island Philharmonic under Christopher Keen from 1981-1985, and has been a guest player with the bass sections of the New York Philharmonic and the Metropolitan Opera Orchestra. He also has appeared with many contemporary music ensembles, including the Erik Hawkins Dance Company, L'Ensemble of Temple University, The Philadelphia Composers Forum, and the Steve Reich Ensemble, in whose original recordings Lewis is included. Lewis has been a member of the Orchestra of St. Luke's since 1980, and has been a guest of the Chamber Music Society of Lincoln Center as well. He can be heard on many of their recordings on the Deutsche Grammophon, ECM, Vox Candide, Sony and Nonesuch labels. Lewis' recording of Henry Brant's bass concerto, which he commissioned, was premiered at the Chamber Music Conference in 1987, and was recorded with the American Camerata.
Lewis coached and performed in Japan, at the Affinis Seminar from 1990-1993, and he has been a member of the Faculty of the Chamber Music Conference since 1981. Since 1981, Lewis has been a member of the orchestra for American Ballet Theater, and since 1988 has been a member of the New York City Opera Orchestra. He is the principal bass of both orchestras.
Praised for his
long-breathed phrases and luscious tone by the Minneapolis Star Tribune, Canadian flutist Conor Nelson is established as a leading flutist of his generation. Since his New York recital debut at Carnegie Hall's Weill Recital Hall, he has appeared frequently as soloist and recitalist throughout the United States and abroad. Recent solo engagements include performances with the Minnesota Orchestra, the Toronto Symphony Orchestra, the Flint Symphony, and numerous other orchestras. The only wind player to win the Grand Prize at the WAMSO Young Artist Competition, he also won first prize at the William C. Byrd Young Artist Competition. In addition, he has received top prizes at the New York Flute Club Young Artist Competition and the Haynes International Flute Competition. He recently performed two recitals in London, England and was featured on the McGraw Hill Young Artist Showcase (WQXR New York), Minnesota Public Radio, WGTE Toledo, and WGBH Boston Public Radio.
As a chamber musician, he performs regularly with marimbist/percussionist Ayano Kataoka as part of the Conor and Ayano Duo. Involved in several exciting commissioning projects for their genre, the duo has performed in Merkin Concert Hall, CAMI Hall, The Tokyo Opera City Hall, Tokyo Bunka Kaikan, Izumi Hall, and as guest artists for the Ottawa Flute Association in Canada. He has also collaborated with Claude Frank, Peter Frankl, Spencer Myer, Colin Carr, Jesse Levine, and the Biava and Calder string quartets. With the Intrada Winds he was a prizewinner at the Fischoff, Coleman and Yellow Springs national chamber music competitions and performed at several prestigious concert series throughout the United States. He has appeared at numerous chamber music festivals across the country including the OK Mozart, Skaneateles, Yellow Barn, Cooperstown, Look and Listen (NYC), Norfolk, Green Mountain, Chesapeake, and the Chamber Music Quad Cities series where he is a regular guest. As an orchestral flutist, he has worked with the Detroit Symphony, the Orchestra of St. Luke's, and the Tulsa Symphony as well as prestigious summer programs including the National Repertory Orchestra, the National Orchestral Institute, and the Aspen, Banff, and Brevard summer music festivals.
A dedicated artist teacher of flute, Conor is currently the Assistant Professor of Flute at Bowling Green State University. Having previously taught at Oklahoma State University and Stony Brook University, he has also given master classes at schools such as the University of Michigan Ann Arbor, the University of Illinois at Urbana-Champaign, the University of Wisconsin Madison, Manhattan School of Music, Lawrence University Conservatory, Vanderbilt University, Louisiana State University, the University of Iowa, the University of North Texas, Texas Tech University, the University of Minnesota, Penn State, the University of Oklahoma, the Long Island Conservatory, Illinois State University, the University of Kansas and the Baldwin-Wallace Conservatory among several others. He has also served as guest faculty at the International Flute Institute at the New York Summer Music Festival and the Texas Summer Flute Symposium.
He received degrees from the Manhattan School of Music, Yale University, and Stony Brook University, and he was the winner of the school-wide concerto competitions at all three institutions. He is also a recipient of the Thomas Nyfenger Prize, the Samuel Baron Prize, and the Presser Award. His principal teachers include Carol Wincenc, Ransom Wilson, Linda Chesis, and Susan Hoeppner.
Oboist Jacqueline Leclair, a vital performer who is considered a distinguished interpreter of new music, resides in New York City and Montréal, Québec. She was the oboe professor at Bowling Green State University for five years, and is now full-time oboe professor and the Chair of the Woodwind Area at McGill University's Schulich School of Music. She teaches privately in New York City and presents performance lectures and master classes nationally and internationally. Dr. Leclair is a member of the chamber orchestras Signal and Sequitur. She has premiered and is now focusing on championing the compositions of pre-college composers.
Dr. Leclair is the editor of Luciano Berio’s
Sequenza VIIa published by Universal Edition Vienna. She studied oboe with Patricia Stenberg, Richard Killmer, and Ronald Roseman and is a graduate of the Eastman School of Music and SUNY Stony Brook with Bachelor’s, Master’s, and Doctorate degrees in oboe performance.
A graduate of the Eastman School of Music, clarinetist Michael Dumouchel has studied with Stanley Hasty, Robert Marcellus, and Harold Wright. Currently, Mr. Dumouchel holds the posts of solo E-flat clarinet and second B-flat clarinet with the Montreal Symphony Orchestra - posts he has held for more than 30 years. As a chamber musician, Mr. Dumouchel has been performed with Musica Camerata Montreal for the past 25 years. Mr. Dumouchel also teaches clarinet at McGill University. He has recorded on London/Decca, Centredisc CBC, DGG, and CRI.
Pavel Vinnitsky, clarinetist, has concertized throughout the world to acclaim, and is currently leading a versatile performing career in New York City. Born in Ukraine, Pavel immigrated to Israel where he appeared with numerous orchestras and chamber music ensembles until he came to the US in 2003. An avid orchestral musician, he performs regularly with the Metropolitan Opera Orchestra and has been featured on numerous Met radio and HD video broadcasts. He also appeared as a guest clarinetist with the Philadelphia Orchestra and the Chicago Symphony as well as the American Symphony, the Orchestra of St. Luke's, NYC Opera and Ballet, and the American Ballet Theatre Orchestra (ABT). In 2011 Mr. Vinnitsky was appointed principal clarinetist with the Stamford Symphony Orchestra.
In constant demand as chamber musician, Mr. Vinnitsky is a member of Le Train Blue and the Memling Ensemble and appears frequently with the Wind Soloists of New York, the St. Luke's Chamber Ensemble, the International Contemporary Ensemble, Sylvan Winds, and Wall Street Chamber Players, among others. Dedicated klezmer music performer, Pavel Vinnitsky has appeared at some of the world's major klezmer music festivals and venues. He is also a founding member of the Jewish Arts Ensemble of New York. His discography includes recordings for the New World and Bridge Records labels and numerous broadcasts on WQXR, CBS, Israeli National TV, and Bavarian Radio, as well as major motion picture soundtracks.
Mr. Vinnitsky has appeared in lectures and master-classes at universities nation-wide. Beginning in fall 2013, he will be joining the clarinet faculty at the New York University Steinhardt School of Culture, Education, and Human Development. Mr. Vinnitsky holds degrees in clarinet performance from Tel-Aviv University and Yale University School of Music.
Clarinetist Garrick Zoeter's passionate and exciting way with the clarinet has been acknowledged around the world. The Clarinet recently described his playing as
remarkable, his tone is beautiful and he shows complete mastery of all the technical demands and effects that are required of this piece. His artistry and virtuosity are compelling. This is one of the finest clarinet performances I have reviewed. The Washington Post described a recent performance of his as
an utterly commanding performance, technically superb and radiant with otherworldly majesty, all played with exceptional insight.
A native of Alexandria, Va., Mr. Zoeter took his first serious clarinet studies with Kenneth Lee and National Symphony Orchestra clarinetist William Wright. He received his bachelor's degree from the Juilliard School as a student of Charles Neidich and his master's degree from Yale University as a student of David Shifrin. He made his solo debut at the age of seventeen in Weber's Concerto #1 with the National Symphony Orchestra at the Kennedy Center in Washington, D.C. He has won numerous competitions as a soloist including the 1991 International Clarinet Society International Clarinet Competition, as well as prizes in chamber music—the Grand Prize in the 1998 Fischoff, Coleman, and Yellow Springs chamber music competitions, the silver medal in the 1997 Osaka International Chamber Music Competition and first prize in the 2002 Concert Artists Guild competition.
Mr. Zoeter is the founding member of the acclaimed multi-award-winning clarinet, violin, cello, and piano quartet Antares. From 1997-2013 with Antares, he annually gave performances around the United States at such prestigious venues as The Kennedy Center, La Jolla Chamber Music Society, Aspen Music Festival, Strathmore, Ensemble Music Society of Indianapolis, Carnegie Recital Hall, Market Square Concerts, the Library of Congress, the Los Angeles Museum of Modern Art, and Cincinnati Chamber Music Society. His work with Antares resulted in the commissioning and premiering of over 20 new quartets from several of North America's top young composers including Mason Bates, John Mackey, James Matheson, Kevin Puts, Dan Visconti and Carter Pann. Zoeter is also a frequent performer with such diverse groups as Trio Solisti, the Audubon Quartet, the Ensemble for the Romantic Century, the Paragon Ragtime Orchestra, the University of Buffalo's Slee Sinfonietta, the PostClassical Ensemble, the Pressenda Chamber Players, Monadnock Music, and the New Orchestra of Washington. Recent performances have included Donald Martino’s Triple Concerto in Buffalo, NY, and chamber music appearances in Strasbourg, France and Medellin, Columbia, as well as an appearance at Cactus Pear Music Festival in San Antonio, TX. He is heard frequently in numerous chamber music performances around Washington D.C. including at Georgetown's Evermay estate.
A committed teacher as well as performer, Mr. Zoeter serves as the Anna Lee Van Buren Professor of Clarinet at the Shenandoah Conservatory of Shenandoah University. His students from Shenandoah include numerous competition winners and can be found performing in professional ensembles such as
The President's Own United States Marine Band, teaching in university and public school positions, and serving as music therapists throughout the country and abroad. He served on the clarinet and chamber music faculty of Wesleyan University from 2002-2007, and from 1997-2004 was the clarinet professor at the Festival Eleazar de Carvalho during the summer in the city of Fortaleza, Brazil. Mr. Zoeter has recorded for the CRI, Newport Classics, Bridge, Innova, Naxos, MSR Classics, and New Focus Recordings CD labels. In addition to his performing and teaching, Mr. Zoeter serves on the advisory council of the Washington, D.C. Chapter of the National Society of Arts and Letters.
Bassoonist Stephanie Corwin enjoys an active career performing and teaching music of the past four centuries on modern and historical instruments. Her vocation has taken her throughout the US and abroad, simultaneously satisfying her love for travel and her desire for connecting with people both on and off the stage. Highlights include solo appearances at Lincoln Center and Carnegie Hall, chamber-music performances at the Staunton and Yellow Barn festivals, and concerts with Philharmonia, Tafelmusik, Trinity Wall Street, and the Handel and Haydn Society.
Stephanie is the inaugural winner of the Meg Quigley Vivaldi Bassoon Competition, which creates opportunities for young female bassoonists from the Americas, and she was a semifinalist in the Ima Hogg Young Artists Competition. A member of the chamber ensembles Kleine Kammermusik and Repast, Stephanie values the intimate collaborations encouraged through chamber music and has received prizes at the Fischoff, Coleman, and Yellow Springs chamber music competitions.
After graduating from Davidson College, Stephanie earned her Master of Music degree from Yale University and a Doctorate of Musical Arts from Stony Brook University, studying with Frank Morelli at both institutions. Intrigued by the practice of historical performance, she went on to study with Michael McCraw at Indiana University, where she received a Performer Diploma in historical bassoons.
Stephanie has taught at the University of Virginia and regularly presents master classes at academic institutions across the country, including the Manhattan School of Music, Shenandoah Conservatory, Yale University, Ithaca College, Grand Valley State University, Furman University, and Davidson College. Stephanie has also served on the faculty at the Amherst Early Music Festival in New London, Connecticut. After living in New York City for several years, Stephanie recently moved to Philadelphia, where she teaches baroque bassoon at the Curtis Institute of Music.
Gilbert Dejean is a graduate of the Manhattan School of Music where he studied bassoon with Leonard Hindell and Steve Maxym. He has been a member of the American Symphony Orchestra for more than twenty years in the position of third bassoon/contrabassoon. He is principal bassoon of Opera Saratoga. Mr. Dejean performs with various groups in the New York Metropolitan area including the Orchestra of St. Luke’s, North/South Consonance, Double Entendre, Northeastern Pennsylvania Philharmonic, Queens Symphony, Stamford Symphony, Greenwich Symphony, and Greater Bridgeport Symphony. He has substituted in various shows on Broadway and was a member of the orchestra for the shows The Scarlet Pimpernel and West Side Story. Mr. Dejean has recorded for various labels including BIS, Telarc, North/South Consonance and Albany Records. He has also been commissioned to arrange works for various woodwind ensembles.
Stephen Walt is Artist-Associate in Bassoon and Director of Woodwind Chamber Music at Williams College, where he also performs as a member of the Williams Chamber Players and the Berkshire Symphony. In June 2019 Mr. Walt retired from the Albany (NY) Symphony Orchestra after thirty-seven seasons with the orchestra. In addition, he had been Senior Lecturer in Bassoon at the University of Massachusetts from 1999 until 2017. Mr. Walt has performed with orchestras, opera companies and chamber ensembles throughout the United States, including performances with the Borromeo, Lark, Muir, Amernet, and Shanghai String Quartets. Mr. Walt has been guest artist at the Monadnock Festival, Musicorda, Music Festival of the Hamptons (NY), and Music From Greer (AZ) and has appeared on the Mohawk Trail Concerts and Williamstown Chamber Concerts series. He also performs with the Berkshire Bach Ensemble, of which he has been a member since 1995. His primary teachers were Sherman Walt and Arthur Weisberg. He has recorded for Naxos, CRI, Decca, Koch International, Gasparo, Nonesuch and Albany Records.
Mr. Walt plays on a Heckel bassoon made in 1958 for his father, Sherman Walt, the eminent former principal bassoonist with the Boston Symphony Orchestra. The instrument is nicknamed
The Brussels as it was exhibited at the 1958 World's Fair in that city as an example of German artisanship.
Daniel Grabois is Assistant Professor of horn at the University of Wisconsin-Madison School of Music. He performs in the Wisconsin Brass Quintet and serves as the Curator of SoundWaves, a series he created that combines science lectures with music performances. The former Chair of the Department of Contemporary Performance at the Manhattan School of Music, he is also the hornist in the Meridian Arts Ensemble, a sextet of brass and percussion soon to celebrate its Twenty-Fifth Anniversary. With Meridian, he has performed over fifty world premieres, released ten CDs, received two ASCAP/CMA Adventuresome Programming Awards, and toured worldwide, in addition to recording or performing with rock legends Duran Duran and Natalie Merchant and performing the music of Frank Zappa for the composer himself.
The author/composer of two etude books for horn, Grabois has appeared as a frequent guest with the Chamber Music Society of Lincoln Center and has performed in New York and on tour with the Orpheus Chamber Orchestra, the Orchestra of St. Luke's, and many other ensembles. As a soloist, he has commissioned and premiered numerous works. He also appears on over thirty CD recordings, and he has recorded a concerto written for him by composer David Rakowski. Grabois taught horn for fourteen years at The Hartt School and has taught courses on the business of music at both Hartt and the Manhattan School of Music.
Hailed as a
stunning pianist with incredible dexterity, Canadian pianist Audrey Andrist has thrilled audiences around the globe, from North America to Japan, China and Germany with her
passionate abandon and
great intelligence. Ms. Andrist grew up on a farm in Saskatchewan, and while in high school traveled three hours one-way for piano lessons with William Moore, himself a former student of famed musicians Cécile Genhart and Rosina Lhévinne. She completed Masters and Doctoral degrees at the Juilliard School with Herbert Stessin, and garnered first prizes at the Mozart International, San Antonio International, Eckhardt-Gramatté, and Juilliard Concerto Competitions. She has performed at the Kennedy Center in Washington, DC, Place des Arts in Montreal, Chicago’s Ravinia Festival, and Alice Tully Hall in New York. She is a member of the Stern/Andrist Duo with her husband, James Stern, Strata, a trio with Stern and clarinetist Nathan Williams, and the Andrist-Stern-Honigberg Trio with Stern and cellist Steve Honigberg. Ms. Andrist can be heard on over a dozen recordings on the Albany and New Focus labels, among others. She lives in the Washington, DC area, where she teaches at the Washington Conservatory and the University of Maryland-Baltimore County, and where she was a visiting faculty artist at the University of Maryland-College Park in 2020. Ms. Andrist is in constant demand as a soloist, chamber musician, teacher, master class presenter and pedagogy consultant. Her CD of solo works by Robert Schumann is available on Centaur Records.
Pianist Xak Bjerken has given solo and chamber music recitals in Europe and throughout the United States. Orchestral solo appearances include Edinburgh with the Scottish Chamber Orchestra, Rome with the Spoleto Festival Orchestra and in Disney Hall, Los Angeles, with members of the LA Philharmonic. He has performed at the Royal Concertgebouw Hall in Amsterdam, Alice Tully Hall, Weill Hall, the Kennedy Center, and has given recitals in Germany, Switzerland, Spain and Hungary.
Mr. Bjerken is the pianist of the Los Angeles Piano Quartet, which tours the U.S. regularly, and with his wife, pianist Miri Yampolsky, directs MAYFEST, an annual chamber music festival in Ithaca, New York. In addition, he has directed three festivals of twentieth-century music:
Angels, Saints and Birdsong: A Messiaen Festival,
Through the Iron Curtain: Music of Eastern Europe and the Former Soviet Union, and
The Stravinsky Project.
Mr. Bjerken has held chamber music residencies at the Tanglewood Music Center and the Festival of Two Worlds in Spoleto, Italy, performed at the Olympic Music Festival and the Tucson Winter Chamber Music Festival, and served on the faculty of the Eastern Music Festival. His first solo recording for CRI, released in 2001, was entitled High Rise; he has also recorded for Chandos, Albany Records, Fleur de Son, and Koch International and has made three recordings with violist Michael Zaretsky for the Artona label.
Mr. Bjerken earned his bachelor's degree cum laude at UCLA, studying with Aube Tzerko, and his master's and doctoral degrees from the Peabody Institute as a student and teaching assistant to Leon Fleisher.
Phillip Bush is a pianist of uncommon versatility, with a repertoire extending from the sixteenth century to the twenty-first. His active and unconventional career has taken him to many parts of the globe. Since his New York recital debut at the Metropolitan Museum in 1984, Mr. Bush has appeared as recitalist throughout North America, as well as in Europe, Asia, and the Caribbean. In 2001 he made his Carnegie Hall concerto debut with the London Sinfonietta to critical acclaim, replacing an ailing Peter Serkin on short notice in concerti by Stravinsky and Alexander Goehr. He has also appeared as soloist with the Osaka Century Orchestra, Cincinnati Symphony, Houston Symphony, and several other orchestras, in repertoire as far-ranging as the Beethoven concerti and the American premiere of Michael Nyman's Harpsichord Concerto.
A much sought-after chamber musician, Mr. Bush has performed and recorded with the Chamber Music Society of Lincoln Center, appears frequently on New York's Bargemusic series, and has performed at the Grand Canyon Music Festival, Bridgehampton Chamber Music Festival, Strings in the Mountains (Colorado), Sitka Music Festival (Alaska), St. Bart's Music Festival, Bahamas Music Festival, Music at Blair Atholl (Scotland), Cape May Music Festival, and many other festivals. He has also performed with the Kronos Quartet, the Miami String Quartet, and members of the Emerson, Guarneri, Tokyo, and St. Lawrence quartets. Between 1991 and 1999 he performed over 250 concerts in Japan with the piano quartet
Typhoon, and recorded five CD's with the group for Epic/Sony, all of which reached the top of the Japanese classical charts. In 1993 Mr. Bush founded
MayMusic in Charlotte, a critically acclaimed and innovative festival in North Carolina that annually presented chamber and contemporary music, film screenings, and other cross-disciplinary collaborations. He served as Artistic Director of that festival from 1993 to 1998. Mr. Bush can be heard frequently on public radio in the US, including appearances on
Saint Paul Sunday, and has had live performances broadcast frequently throughout the nation on television via the Classic Arts Showcase.
A fierce advocate for contemporary music, Phillip Bush has performed often with many of the New York area's most renowned new music ensembles, including Bang on a Can All-Stars, Philip Glass Ensemble, Steve Reich and Musicians, Group for Contemporary Music, Newband, Sequitur, Parnassus, and New Music Consort. Since 1995 he has been an artist-member of the Milwaukee-based new music group, Present Music. Mr. Bush's efforts on behalf of contemporary music have earned him grants and awards from the Mary Flagler Cary Charitable Trust, the Aaron Copland Fund, ASCAP, Chamber Music America, and the National Endowment for the Arts. His discography as soloist and chamber musician has now surpassed thirty recordings, on labels such as Sony, Virgin Classics, Koch International, New World Records, Denon, and many others.
Mr. Bush is a graduate of the Peabody Conservatory, where he studied with Leon Fleisher. From 2000 to 2004 Mr. Bush taught piano and chamber music at the University of Michigan. He was Music Director of the Chamber Music Conference from 2006 through 2015. Today, in addition to his busy performing schedule, he continues to give master classes, sharing his insights with young musicians in venues throughout the nation. He makes his home in the Old Shandon neighborhood of Columbia, South Carolina, with his wife, pianist Lynn Kompass, and their part-Siberian-Husky, Ruby.
Frank Daykin, pianist, is equally known as soloist, collaborative pianist, teacher, and writer. He is particularly identified with the French piano and chamber music repertoire, having performed the complete solo piano works of Ravel on Ravel’s own piano at the Ravel house/museum in France. His 37-year partnership with Millette Alexander in piano duo performance has produced two award-winning recordings and a host of performances in the US and abroad, always to rave reviews. The Toronto Citizen named them
surely the finest duo in the world today and the New York Times proclaimed,
they make music as one. He continues with numerous chamber groups including the Ambrosia Trio and Gotham Trio. Currently, he is on the faculty of the Chamber Music Conference and the Chamber Music Central summer camp for children (CT). His seminars on topics ranging from Schoenberg, to Schubert, French music, Beethoven, Shostakovich, Messiaen, and Schumann are some of the most popular events at the Conference. His The Encyclopedia of French Art Song: Fauré, Debussy, Ravel, Poulenc was published by Pendragon Press in May 2013, and has since made its way to most conservatories and college music departments worldwide. Daykin has also had four volumes of poetry published, including 2016's I Have My Doubts. Many of his poems have been set to music by contemporary composers.
Pianist Read Gainsford was recently described in the press as the possessor of “finger-numbing virtuosity and delicately chiseled precision” yet he is driven to pursue connections beyond the merely pianistic. Known for his insightful introductions from the stage, reaching beyond the footlights to be what a magazine profile described as “Pianist of the People” he pursues connections wherever he can find them. From collaborating with noted oceanographers in presenting Voice of the Whale by George Crumb, to consulting with art historians and living artists to create a series of images to accompany his performances of Messiaen’s Vingt regards sur l’Enfant-Jésus; from historical reenactments of the famous piano duel between Franz Liszt and Sigismond Thalberg of 1837, to playing Stravinsky’s Rite of Spring for live performance by a noted dance troupe, he is committed to reaching audiences in ways beyond the traditional.
Read Gainsford has also followed the standard route for a concert pianist. Born in New Zealand, he studied at the University of Auckland before moving to London where he worked at the Guildhall School of Music and Drama as a pupil of the renowned pedagogue Joan Havill. He moved to the USA to enter the doctoral program at Indiana University. He has performed widely in the USA, Europe, Australia, New Zealand and South Africa, as solo recitalist, concerto soloist and chamber musician, making successful solo debuts in Carnegie Hall’s Weill Recital Hall and London’s Wigmore Hall, as well as playing in the Kennedy Center, St Martin-in-the-Fields, Queen Elizabeth Hall, and others. Gainsford returns regularly to his home country, New Zealand, to see family, perform, and teach.
Keen to work with other musicians, his latest collaborative project involves forming Trio Solis, a group dedicated to connecting with people beyond those who traditionally form audiences for classical music, and who made their Carnegie Hall debut in May 2009. As well as traditional concerts and residencies, they enjoy "Building Bridges" - collaborating with talented student musicians to share their experience of making music with younger players. He has been associated for many years with the unique chamber music center Garth Newel, and has played with many leading musicians including the Audubon and Serafin Quartets, Richard Stoltzman, Jacques Zoon, Luis Rossi, Yuri Mazurkevich, Michelle LaCourse, Denis Brott, Carmen Balthrop and Jerrold Pope. In 2004 Gainsford was involved in founding the highly successful Light in Winter festival, whose purpose is to celebrate the intersection between art, nature and science.
Dedicated to the works of living composers, Gainsford was a member of Ensemble X, a contemporary music group in Ithaca, NY. He recently gave the world premiere of the 3rd Piano Concerto by Ladislav Kubik, which he also recorded with the National Philharmonic Orchestra of Brno under the baton of Alex Jimenez, and recorded Ellen Taafe Zwilich's Images for two pianos and orchestra for Naxos. He will give the world premiere performance and recording of Marc Satterwhite's Five Rivers of Hades in February 2011. He has worked with many other composers including Steven Stucky, Chen Yi, John Psathas, Christopher Theofanidis, James Matheson, Steven Burke, Robert Paterson, Mark Wingate, Karim Al-Zand, Diego Vega.
Highly in demand as a masterclass clinician and teacher, Dr. Gainsford was appointed Associate Professor of Piano at Florida State University in August 2005. Before that he taught at Ithaca College in Ithaca, NY, where he was awarded the Excellence in Teaching award in 2004. His students have achieved success in many regional and national competitions. Long fascinated by the use of the body in making music, he has studied the Alexander Technique, Feldenkrais Method and yoga, as well as anatomy and physiology. His presentations have included As We Are Designed: use of the body in playing the piano and Music and Faith, as well as many lecture recitals on music ranging across the scope of piano repertoire.
James Goldsworthy has performed in Europe, Israel, Japan, Canada, and the United States, including broadcasts on Austrian National Television, the California cable television show Grand Piano, Vermont Public Television, BBC radio, and Minnesota Public Radio. While a Fulbright scholar in Vienna, Goldsworthy participated in German Lieder master classes with Hans Hotter and studied vocal coaching and accompanying with Erik Werba, Walter Moore, and Roman Ortner. He performed in one of the Musikverein 175th anniversary celebration concerts given in the Brahms Saal, and concertized in Vienna, Baden, and Spital am Semmering, Austria. More recently, he performed at the Hôtel de Ville in Paris, and in Le Sax concert hall in Achère, France, and at the White House. He has appeared in chamber music concerts including celebrations of Milton Babbitt at The Juilliard School, Carnegie Recital Hall, and Cooper Union, James Levine's Met Chamber Ensemble, and in the Works & Process series at the Guggenheim Museum. He has accompanied the singers Judith Bettina, Lindsey Christiansen, Véronique Dubois, Elem Eley, Marion Kilcher, Benjamin Luxon, Sharon Sweet, and Edith Zitelli in recital, and performed in concerts with violinists Jorja Fleezanis, Lilo Kantorowicz-Glick, Rolf Schulte, and violist Jacob Glick. He has premiered works by Milton Babbitt, Christopher Berg, Chester Biscardi, David Olan, Tobias Picker, Mel Powell, David Rakowski, Cheng Yong Wang, and Amnon Wolman. Goldsworthy is currently the Director of the New Works for Young Pianists Commissioning Project. He has taught at Goshen College, Stanford University, and the University of St. Thomas, and is presently on the piano faculty at Westminster Choir College of Rider University. His recordings with Judith Bettina of Chester Biscardi's The Gift of Life, David Rakowski's Three Songs on Poems of Louise Bogan, and songs of Otto Luening are on the CRI label. Most recently, he recorded works written for Judith Bettina with Bridge Records.
Steinway Artist Lura Johnson is celebrated by critics and audiences for her insightful, emotionally impactful performances. The Washington Post describes hearing her play as
one of life's great pleasures. The Baltimore Sun praises her
surging expressive force... impressive bravura... and
exceptional vitality, color, and impact. Performing more than one hundred concerts annually as a soloist, chamber musician, and orchestral pianist, Lura captures, distills, and powerfully communicates the spirit and personality of the music she performs. She describes her mission this way:
My goal is to vividly and thoroughly bring to life the essence and true character of the music, the way an actor embodies a role with full commitment.
Lura is Resident Pianist of the Baltimore Symphony and Principal Pianist of the Delaware Symphony, positions which synthesize her finely honed ensemble skills, soloistic virtuosity, and versatility. She has played principal keyboard for seven albums recorded by the Baltimore Symphony, including Bernstein's Mass, which received a Grammy nomination in 2010. The Washington Classical Review wrote of a BSO performance of Bernstein's Age of Anxiety,
[Soloist] Jean-Yves Thibaudet was shadowed brilliantly by the BSO's outstanding keyboard player, Lura Johnson, on the daunting celesta part. This collaboration was immortalized in a 2017 album released by the BSO on the Naxos label, and was also part of the Baltimore Symphony Orchestra's tour of the United Kingdom in 2018, with performances and telecasts at the renowned BBC Proms and the prestigious Edinburgh Festival in Scotland.
Esteemed for her uncommon sensitivity and skill as a chamber music partner, Lura moves flexibly inside an ensemble as leader or supporter, as needed. She has enjoyed success both on the concert stage and in commercial recordings as a member of several chamber ensembles. Duo Baltinati with cellist Ilya Finkelshteyn won Second Prize in the chamber music division of the International Johannes Brahms Competition in 2015.
Chamber music has always been Lura's true north.
The sensing, the risk-taking, the spontaneous creation in the moment, she says,
sharing these human experiences through music, not words, is electrifying. One of her chamber music albums, Inner Voice with violist Peter Minkler, received widespread attention when it was prominently featured in the official trailer for the 2013 Warner Brothers film, Gravity. The mesmerizing state of suspension the two created in their rendition of Arvo Pärt's Spiegel im Spiegel complemented perfectly the cinematic tale of literal weightlessness set in outer space.
A thoughtful and devoted teacher, Lura works with students of diverse ages and levels. Past positions include Director of Chamber Music at Georgetown University, faculty at Sequoia Chamber Music Workshop, and faculty at Apple Hill Center for Chamber Music. She has been a faculty member at Peabody Institute in Baltimore since 2003 and currently directs a chamber music program there for adult amateur musicians.
GENEVIEVE FEIWEN LEE
A versatile performer of music spanning five centuries, Grammy-nominated Genevieve Feiwen Lee has thrilled audiences on the piano, harpsichord, toy piano, keyboard, and electronics. She enjoys finding music that challenges her to go outside of her comfort zone to sing, speak, act, and play new instruments. She has given solo recitals at Merkin Concert Hall, NY, and the Salle Gaveau in Paris. Since her first concerto engagement at age twelve, she has appeared with the São Paulo State Symphony Orchestra, Brazil; the Vrazta State Philharmonic, Bulgaria, and The Orchestra of Northern New York. Her concerts in China appeared on Hunan State Television, and her performance from the Spiegelzaal at the Concertgebouw in Amsterdam was broadcast on live radio.
Ms. Lee has premiered and commissioned numerous works, and she can be heard on the Innova, Albany and Reference labels. She was nominated in the Best Chamber Music Performance category at the 58th Grammy Awards for the recording of Tom Flaherty's Airdancing. In the Los Angeles area, Ms. Lee has been a guest performer with the Los Angeles Philharmonic Chamber Music series at Disney Hall, Southwest Chamber Music, Jacaranda, Piano Spheres and the Hear Now New Music Festival. She is a founding member of the Mojave Trio and was a member of the Garth Newel Piano Quartet when they performed in Carnegie Hall. Ms. Lee received her degrees from the Peabody Institute, École Normale de Musique de Paris, and the Yale School of Music. She is the Everett S. Olive Professor of Music at Pomona College, California, where she teaches piano, chamber music, aural skills and theory.
Christina Bonatakis is an active freelance bassoonist based in South Florida and currently performs with the Miami City Ballet, Palm Beach Symphony, Florida Grand Opera and the Miami Symphony Orchestra. She has held positions in the Venice Symphony Orchestra (Venice, FL), Orquesta Sinfónica Sinaloa de las Artes (Culiacán, México), Civic Orchestra of Chicago, Missouri Symphony Orchestra and the United States Air Force Band. Christina has performed with the Chicago Symphony Orchestra, Southwest Florida Symphony, Lake Forest Symphony, Orlando Philharmonic Orchestra, Pensacola Symphony Orchestra and the Tallahassee Symphony Orchestra. In 2008 she won the Hellenic American Women’s Council Award in the Greek Women’s University Club National Music Competition. An attendee of the Aspen Music Festival and School from 2011-15, Christina was the first recipient of the Nancy Goeres Bassoon Fellowship. She holds a Bachelor of Music Education and a Master of Music Performance from Florida State University and has done postgraduate work at DePaul University. Her primary teachers include Jeff Keesecker, Nancy Goeres, Bill Buchman and Bob Barris.
When not playing the bassoon or making reeds, Christina enjoys running and spending as much time as possible with her 13-year old dachshund, Dobby.
JESSICA POWELL EIG
See biography above.
Leander Star is the horn player with the award-winning wind quintet City of Tomorrow as well as the Lawrence Graduate Bayreuth Tuben Quintet. He is tenured fourth horn with the Oregon Ballet Theater and the Portland Opera Orchestras and an active freelancer in the Midsouth, playing regularly with the IRIS and PRIZM Chamber Orchestras, the Memphis and Arkansas Symphony Orchestras, as well as in recording sessions in Nashville, TN. In 2019, Star gave the world premiere performance of Northlands II by Matthew Whittall in a performance with the Central Oregon Chamber Orchestra that also included Mozart's Horn Concerto K.447. Star teaches horn at the University of Mississippi at Oxford and Rhodes College in Memphis, Tennessee.
See biography above.
KEVE WILSONHailed by the New York Times for her
magnificently sweet tone,oboist Keve Wilson has spent years honing her craft by playing a variety of musical genres. She is currently oboist for the suspended 2020 Broadway revival Company (reopening in December 2021), in 2018 played in the orchestra for Carousel, as well as the 2014 Tony Winner A Gentleman’s Guide to Love and Murder. Keve inspires visiting high school band and orchestra students from around the country with her original show Believe NYC---from the Band Room to Broadway. A past winner of Concert Artists Guild and solo oboist with the Grammy nominated Absolute Ensemble, she has toured as principal oboist with American Sinfonietta, Quintet of the Americas, and Alarm Will Sound, and in NYC with American Modern Ensemble and On-Site Opera. A twotime recipient of the Cliﬀord-Levy Creativity Grant, Keve traveled to Makuleke Village in South Africa where she participated in learning and teaching folk songs of the region. Keve has performed at music festivals including Newport Jazz Festival with Miguel Zenon, New Zealand Music Festival, Chamber Music Northwest, Bremen Music Fest, The Tanglewood Music Center, Juneau Jazz and Classics, Mostly Modern Festival and many others. She spent 6 years in Los Angeles as second oboist of Opera Pacific, recorded for TV commercials and films, and premiered After Hearing Bach by Peter Schickele for oboe and string quartet.
From Hyde Park, NY and a graduate of Eastman School of Music, Keve studied oboe with Richard Killmer, piano with Judith Handman and dance with Elizabeth Clark. Having played the oboe everywhere from Argentina to Dubai to South Korea, she lives in her favorite city, New York, with her husband Kerry and Portuguese water dog Bugsy.
See biography above.